our secret days

In the eight months we spent in New Zealand the closest memory I have is one of always being cold. In my fingertips, in my toes, from the moment we landed, in the station wagon we’d live in for three weeks, damp too, and finally we moved into a beach cottage just south of Dunedin in a town called Ocean View. It was quaint, and we could tell it was “small,” but still it was the largest space we shared in those infant days of our life together. The views went out to the sea, and it was beautiful everyday. But cold. I’d never quite stop feeling that.

Just before Christmas, we left Ocean View and moved north of Dunedin to a town called Port Chalmers. The water still surrounded us, but with different character altogether. We were atop a hill, in a small port town, and we looked across the harbor to the Otago Peninsula. A few small islands in between. We got closer and closer to ends of the world where it felt like nobody else goes. By then it was starting to warm up. New Zealand summers could not be any warmer than mild at best, but there were a few days when it wasn’t crazy to think of swimming.

One day in particular, an extra warm one when you feel your skin glowing and you could do anything, fly through the thick air if you wanted, we took our towels and drove further north up the only road in to and out of Port Chalmers. We went as far as we could go, to a little beach on a sandspit, and now that it’s two years later I need to look on a map to remember its name. Aramoana. It’s almost surprising, seeing it on a map. It almost shouldn’t belong anywhere drawn or documented, but alive merely in memory. We sat on the sand. Waded in every now and then. A few families around. Barefoot. It felt like a movie, even then, like time was moving at a slower frame rate. We went home after a few hours and had a modest lunch. Sandwiches with our last few pieces of bread. I layered potato chips in mine, and felt like a child again.

I could not say then that I was happy. It was not a loud, immediate happiness. But, I felt then as I feel it now, it was unbearable how content that day was. How quiet.

thomas county law

thomas county law’s got a crooked tooth
there ain’t a mother with a heart less than black and blue
when they hold them to the light, you can see right through
every dreamer falls asleep in their dancing shoes
i may say i don’t belong here, but i know i do

conflicts of heart

If he is a big enough fool,  you can get him to realise the character of the friends only while they are absent; their presence can be made to sweep away all criticism. If this succeeds, he can be induced to live, as I have known many humans to live, for quite long periods, two parallel lives; he will not only appear to be, but actually be, a different man in each of the circles he frequents. Failing this, there is a subtler and more entertaining method. He can be made to take a positive pleasure in the perception that the two sides of his life as inconsistent. This is done by exploiting his vanity. He can be taught to enjoy kneeling beside the grocer on Sunday just because he remembers that the grocer could not possibly understand the urbane and mocking world which he inhabited on Saturday evening; and contrariwise, to enjoy the bawdy and blasphemy over the coffee with these admirable friends all the more because he is aware of a ‘deeper,’ ‘spiritual’ world within him which they cannot understand.

You see the idea—the worldly friends touch him on one side and the grocer on the other, and he is the complete, balanced, complex man who sees round them all. Thus, while being permanently treacherous to at least two sets of people, he will feel, instead of shame, a continual undercurrent of self-satisfaction.

–from C. S. Lewis, The Screwtape Letters

Beast Epic

I have been and always will be fascinated by the way time asserts itself on our bodies and our hearts,” Beam writes in a statement. “The Ferris wheel keeps spinning and we’re constantly approaching, leaving or returning to something totally unexpected or startlingly familiar. The rite of passage is an image I’ve returned to often, because I feel we’re all constantly in some stage of transition. Beast Epic is saturated with this idea, but in a different way — simply because each time I return to the theme, I’ve collected new experiences to draw from. Where the older songs painted a picture of youth moving wide-eyed into adulthood’s violent pleasures and disappointments, this collection speaks to the beauty and pain of growing up after you’ve already grown up. For me, that experience has been more generous in its gifts and darker in its tragedies.

—Sam Beam, speaking on his 2017 album Beast Epic.